Looking through paintings, The study of painting techniques and materials in support of art historical research

Erma Hermens (ed.)

Title:Looking through paintings, The study of painting techniques and materials in support of art historical research
Place:Baarn, London
Publisher:de Prom, Archetype
Series:Leids Kunsthistorisch Jaarboek, Nr. 11
ISBN:9068015753 (de Prom), 1873132565 (Archetype)


7  Erma Hermens, Preface
9  David Bomford, Introduction
13  J.R.J. van Asperen de Boer, Some Reflections upon the Impact of Scientific Examination on Art Historical Research
19  Leslie Carlyle, Design, Technique and Execution: the Dichotomy between Theory and Craft in Nineteenth century British Intruction Manuals on Oil Painting
29  John Leighton, Taking a Closer Look: Art Historians, Restorers and Scientists
35  John Gage, Colour Words in the High Middle Ages
49  Josephine A. Darrah, White and Golden Tin Foil in Applied Relief Decoration: 1240-1530
81  Rachel Billinge, Links with Schongauer in Three Early Netherlandish Paintings in the National Gallery
91  Margriet van Eikema Hommes, Painters' Methods to Prevent Colour Changes Described in Sixteenth to Early Eighteenth Century Sources on Oil Painting Techniques
133  Renate Woudhuysen-Keller and Paul Woudhuysen, Thoughts on the Use of the Green Glaze called 'Copper resinate' and its Colour-changes
147  Annetje Boersma and Jeroen Giltaij, The Intriguing Changes through Restoration of a Newly Discovered Painting by Cornelis Cornelisz. van Haarlem
159  Paul Taylor, The Glow in late Sixteenth and Seventeenth Century Dutch Paintings
179  Jørgen Wadum, The Antwerp Brand on Paintings on Panel
199  Nico Van Hout, Meaning and Development of the Ground Layer in Seventeenth Century Painting
227  Ella Hendriks, Johannes Cornelisz. Verspronck. The Technique of a Seventeenth Century Haarlem Portraitist
269  Erma Hermens and Arie Wallert, The Pekstok Papers, Lake Pigments, Prisons and Paint-mills
295  Zahira Veliz, Aspects of Drawing and Painting in Seventeenth Century Spanish Treatises
319  Ann Massing, French Painting Technique in the Seventeenth and Early Eighteenth Centuries and De La Fontaine's Académie de la peinture (Paris 1679)
391  Joris Dik and Arie Wallert, Two Still-life Paintings by Jan van Huysum: an Examination of Painting Technique in Relation to Documentary and Technical Evidence
415  Melissa R. Katz, Holman Hunt on Himself: Textual Evidence in Aid of Technical Analysis
445  Sally Woodcock, Posing, Reposing, Decomposing: Life-size Lay Figures, Living Models and Artist's Colourmen in Nineteenth Century London
465  Ineke Pey, The Hafkenscheid Collection, The 'sample book' of the Amsterdam paintware trader, Michiel Hafkenscheid (1772-1846) from A(sphaltum) to Z(innober green)
501  Cor Blok, Artistic Craftmanship in the Age of Impatience