Margaret A. Sullivan, Bosch, Bruegel, Everyman and the Northern Renaissance, in Oud Holland, 121, 2008 pp. 117-146
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Walter S. Gibson, Invented in Hell: Bosch's Tree-Man, in Julien Chapuis (ed.), Invention, Turnhout, 2008, pp 162-173
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Eric de Bruyn, The Iconography of Hieronymus Bosch's St. Christopher carrying the Christ Child (Rotterdam), in Oud Holland, 118, 2005 pp. 28-37
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Erwin Pokorny, Bosch's Cripples and Drawings by His Imitators, in Master Drawings, 41, 2003 pp. 293-304
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Larry Silver, God in the Details: Bosch and Judgment(s), in Art Bulletin, 83, 2001 pp. 626-650
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Pierre Vinken and Lucy Schlüter, The foreground of Bosch's Death and the miser, in Oud Holland, 114, 2000 pp. 69-78
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Walter S. Gibson, Bosch's Dreams: A Response to the Art of Bosch in the Sixteenth Century, in Art Bulletin, 74, 1992 pp. 205-218
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Wendy Ruppel, Salvation through imitation: the meaning of Bosch's St Jerome in the wilderness, in Simiolus, 18, 1988 pp. 4-12
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Virginia Tuttle, Lilith in Bosch's "Garden of Earthly Delights", in Simiolus, 15, 1985 pp. 119-130
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Albert Cook, Change of Signification in Bosch's Garden of Earthly Delights, in Oud Holland, 98, 1984 pp. 76-97
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Anne M. Morganstern, The Rest of Bosch's Ship of Fools, in Art Bulletin, 66, 1984 pp. 295-302
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Jeffrey Hamburger, Bosch's "Conjuror": An Attack on Magic and Sacramental Heresy, in Simiolus, 14, 1984 pp. 4-23
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Laurinda S. Dixon, Water, Wine, and Blood - Science and Liturgy in the Marriage at Cana by Hieronymus Bosch, in Oud Holland, 96, 1982 pp. 73-96
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Patrik Reuterswärd, A New Clue to Bosch's Garden of Delights, in Art Bulletin, 64, 1982 pp. 636-638
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R.J. Dingley, A Demon in 's-Hertogenbosch, in Art Bulletin, 64, 1982 pp. 639-640
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Virginia G. Tuttle, Bosch's Image of Poverty, in Art Bulletin, 63, 1981 pp. 88-95
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Laurinda S. Dixon, Bosch's Garden of Delights Triptych: Remnants of a "Fossil" Science, in Art Bulletin, 63, 1981 pp. 96-113
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Irma Wittrock, Die sogenannte Sintflutflügel des Hieronymus Bosch, Ein Versuch zur Interpretation der drei ersten Medaillons der Aussenflügel, in Oud Holland, 93, 1979 pp. 52-60
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Anna Boczkowska, The Crab, the Sun, the Moon and Venus, studies in the iconology of Hieronymus Bosch's triptych The Garden of Earthly Delights, in Oud Holland, 91, 1977 pp. 197-231
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Walter S. Gibson, Bosch's Boy with a Whirligig: Some Iconographical Speculations, in Simiolus, 8, 1975/76 pp. 9-15
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Walter S. Gibson, Hieronymus Bosch and the Mirror of Man, in Oud Holland, 87, 1973 pp. 205-226
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Walter S. Gibson, Hieronymus Bosch and the Dutch Tradition, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 128-131
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Walter S. Gibson, The Garden of Earthly Delights by Hieronymus Bosch: The Iconography of the Central Panel, in C.H.A. Broos, J.P. Filedt Kok, P. Hecht, E. de Jongh, G. Schwartz, D.P. Snoep, E.R.M. Taverne (eds.), Nederlands Kunsthistorisch Jaarboek 1973, Bussum, 1973, pp 1-26
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Walter S. Gibson, "Imitatio Christi": The Passion Scenes of Hieronymus Bosch, in Simiolus, 6, 1972/73 pp. 83-93
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J.P. Filedt Kok, Underdrawing and Drawing in the Work of Hieronymus Bosch: A Provisional Survey in Connection with the Paintings by Him in Rotterdam, in Simiolus, 6, 1972/73 pp. 133-162
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A. Boczkowska, The Lunar Symbolism of The Ship of Fools by Hieronymus Bosch, in Oud Holland, 86, 1971 pp. 47-69
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Konrad Renger, Versuch einer neuen Deutung von Hieronymus Boschs Rotterdamer Tondo, in Oud Holland, 84, 1969 pp. 67-76
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Irving L. Zupnick, Bosch's representation of acedia and the pilgrimage of everyman, in , Nederlands Kunsthistorisch Jaarboek, Bussum, 1968, pp 115-132
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G. Lemmens en E. Taverne, Hieronymus Bosch. Naar aanleiding van de expositie in 's-Hertogenbosch, in Simiolus, 2, 1967-68 pp. 71-89
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D. Bax, Bezwaren tegen L. Brand Philips interpretatie van Jeroen Bosch' marskramer, goochelaar, keisnijder en voorgrond van hooiwagenpaneel, in H. Gerson, H.L.C. Jaffé, E.F. van der Grinten (eds.), Nederlands Kunsthistorisch Jaarboek 13, Bussum, 1962, pp 1-54
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D. Bax, Bosschiana, Verloren Zoon - Johannes op Patmos - Wellusttuin - Doornenkroning, in Oud Holland, 68, 1953 pp. 200-208
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