| Jan Piet Filedt Kok, Leiden en Antwerpen omstreeks 1520, De ontmoeting met Albrecht Dürer en de introductie van het landschap, in Christiaan Vogelaar, Jan Piet Filedt Kok, Huigen Leeflang, Ilja M. Veldman, Lucas van Leyden en de Renaissance, [Antwerpen], 2011, pp 103-119
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| Elfriede Scheil, Der Sinnzusammenhang zwischen wildem Mann und Totenschädel in Albrecht Dürers Paar mit Totenkopfwappen von 1503, in Zeitschrift für Kunstgeschichte, 73, 2010 pp. 433-444
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| Jeroen Stumpel, Dürer and death: on the iconography of Knight, Death and the devil, in Simiolus, 34, 2009/2010 pp. 75-88
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| Ewald Lassnig, Dürers "Melencolia-I" und die Erkenntnistheorie bei Ulrich Pinder, Versuch einer Interpretation aus einer naheliegenden Quelle, in Herausgegeben vom Bundesdenkmalamt Wien und vom Institut für Kunstgeschihte Wien, Wiener Jahrbuch für Kunstgeschichte, Wien; Köln; Weimar, 2008, pp 51-95
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| Larry Silver, Translating Dürer into Dutch, in Julien Chapuis (ed.), Invention, Turnhout, 2008, pp 208-223
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| Jeroen Stumpel, Dance and distinction: spotting a motif in Weiditz, Dürer and Van Meckenem, in Simiolus, 32, 2006 pp. 4-16
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| Patrick Doorly, Dürer's "Melencolia I": Plato's Abandoned Search for the Beautiful, in Art Bulletin, 86, 2004 pp. 255-276
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| Keith Moxey, Impossible Distance: Past and Present in the Study of Dürer and Grünewald, in Art Bulletin, 86, 2004 pp. 750-763
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| Kurt Löcher, Zu Dürers Skizzenbuch der Reise in die Niederlande 1520/1521. Der Augsburger Kaufmann Markus Ulstett, in Roland Krischel (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2004, pp 315-324
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| Jeroen Stumpel, The foul fowler found out: on a key motif in Dürer's Four witches, in Simiolus, 30, 2003 pp. 143-160
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| Barbara Butts, Albrecht Dürer and the Modernization of Stained Glass, in Master Drawings, 41, 2003 pp. 341-358
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| Jeroen Stumpel and Jolein van Kregten, In the name of the thistle: Albrecht Dürer's self-portrait of 1493, in Burlington Magazine, 144, 2002 pp. 14-18
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| Olga Kotková, 'The Feast of the Rose Garlands': what remains of Dürer?, in Burlington Magazine, 144, 2002 pp. 4-13
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| Tobias Leuker, Totengedächtnis und Memento Mori. Dürers Wappen des Todes, in Roland Krischel (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2001, pp 325-328
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| Eckhard Schaar, A Newly Discovered Proportional Study by Dürer in Hamburg, in Master Drawings, 36, 1998 pp. 59-66
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| Jan Piet Filedt Kok, Over de "Calvarieberg": Albrecht Dürer in Leiden, omstreeks 1520, in Bulletin van het Rijksmuseum, 44, 1996 pp. 335-359
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| Margaret D. Carroll, Dürer's Christ among the Doctors Re-examined, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 49-54
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| David Ekserdjian, A Dürer Drawing and a Classical Torso, in Master Drawings, 32, 1994 pp. 273-274
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| Arnold Nesselrath, Raphael's Gift to Dürer, in Master Drawings, 31, 1993 pp. 376-389
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| Katherine Crawford Luber, Albrecht Dürer's Maximilian Portraits: An Investigation of Versions, in Master Drawings, 29, 1991 pp. 30-47
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| Ellen Konowitz, Drawings as intermediary stages: some working methods of Dirk Vellert and Albrecht Dürer re-examined, in Simiolus, 20, 1990/1991 pp. 142-152
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| Barbara Butts, A Forgotten Drawing by Dürer, in Master Drawings, 26, 1988 pp. 41-44, 80
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| Barbara Butts, Albrecht Dürer or Hans von Kulmbach?: Two Designs for Triptychs in the Albertina, in Master Drawings, 23/24, 1985 pp.
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Carolyn M. Carty, Albrecht Dürer's Adoration of the Trinity: A Reinterpretation, in Art Bulletin, 67, 1985 pp. 146-153
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| Lotte Brand Philip and Fedja Anzelewsky, The Portrait Diptych of Dürer's Parents, in Simiolus, 10, 1978/79 pp. 5-18
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| E.H. Gombrich, Dürer, Vives and Bruegel, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 132-134
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| K.G.B., Dürer's 'Hieronymus bij de wilg', Kanttekening bij een belangrijke aanwinst, in Bulletin van het Rijksmuseum, 12, 1964 pp. 3-3
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| T.D. Barlow, Letter to the Editor, in The Print Collector's Quarterly, 20, 1933 pp. 78-79
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| C.J. Holmes, The History of Our New Dürer, in Burlington Magazine, 5, 1904 pp. 431-434
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| C.D., S. Montagu Peartree, R.E. Fry, Walter Armstrong, C.J. Herringham, The Portrait of Dürer the Elder, in Burlington Magazine, 5, 1904 pp. 570-572
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