| Monika Wagner, Arbeit am Material. Farbe in Mondrians Landschaftsbildern, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 12-21
|
 |
| Marty Bax, Piet Mondrian. Theosophie und Abstraktion, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 22-29
|
| |
| Franz W. Kaiser, Mondrian und die Analytik der Farben, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 30-43
|
| |
| Michael White, Farbe und Erinnerung bei Mondrian, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 44-57
|
| |
| Susanne Deicher, Zunehmend intensiv. Piet Mondrians Kunstgeschichte der Farbe, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 58-67
|
| |
| Ortrud Westheider, Farbfelder. Mondrian und die New York School, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 68-82
|
| |
| Miriam Häßler, Biographie Piet Mondrian, in Ortrud Westheider (ed.), Mondrian. Farbe, München, 2014, pp 198-200
|
| |
| Louis Veen, Piet Mondrian's autobiographical writings (1941-43), in Simiolus, 37, 2013-2014 pp. 61-85
|
| |
| Gregor Stemmrich, Piet Mondrian, Barnett Newman, Dan Flavin. Malerei als Medium und Modell, in Kunstmuseum Basel, Piet Mondrian - Barnett Newman - Dan Flavin, Ostfildern, 2013, pp 15-27
|
| |
| Simon Baier, Piet Mondrian, in Kunstmuseum Basel, Piet Mondrian - Barnett Newman - Dan Flavin, Ostfildern, 2013, pp 33-39
|
| |
Frederique van Reij, Wearing Mondrian Yves Saint Laurent's Translation from High Art to Haute Couture, in The Rijksmuseum Bulletin, 60, 2012 pp. 342-359
|
| |
| Benno Tempel, Mondrian. L'armonia perfetta, in Benno Tempel (ed.), Mondrian, Milano, 2011, pp 22-33
|
| |
| Hans Janssen, La modernità di Mondrian, in Benno Tempel (ed.), Mondrian, Milano, 2011, pp 34-51
|
| |
| Marco Di Capua, Mistico Mondrian, in Benno Tempel (ed.), Mondrian, Milano, 2011, pp 68-77
|
| |
| Frans Postma in collaborazione con Cees Boekraad, "Paradiso terrestre". Il segreto dell'atelier di Mondrian, in Benno Tempel (ed.), Mondrian, Milano, 2011, pp 78-93
|
| |
| Craig Eliason, "All the serious men are sick": van Doesburg, Mondrian and Dada, in Simiolus, 34, 2009/2010 pp. 50-55
|
| |
| Peter Hecht, Mondrian and the Vereniging Rembrandt, in Burlington Magazine, 151, 2009 pp. 321
|
| |
| Ludo Beheydt, Hoe nederlands is Piet Mondria(a)n?, in Ons Erfdeel, 52, 2009 pp. 40-51
|
| |
| Joop M. Joosten, Cézanne and Mondrian: "A New Way to Express the Beauty of Nature", in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 137-150
|
| |
| Michael White, 'Dreaming in the abstract': Mondrian, psychoanalysis and abstract art in the Netherlands, in Burlington Magazine, 148, 2006 pp. 98-106
|
| |
| Jenny Reynaerts, Marguerite Tuijn, Naturalisme als uitgangspunt. Piet Mondriaan, "Oostzijdse molen bij maanlicht", in Bulletin van het Rijksmuseum, 54, 2006 pp. 246-265
|
| |
| Bridget Riley, Mondrian perceived, in Bridget Riley, Mondrian, London, 1997, pp 9-20
|
| |
| Hans Janssen, Bringing About Light, On the Function of Colour in Mondrian's Painting, in Bridget Riley, Mondrian, London, 1997, pp 21-34
|
| |
| Bridget Riley, Mondrian: The 'Universal' and the 'Particular', in Burlington Magazine, 138, 1996 pp. 751-753
|
| |
| Jan Venema, De smalle latten van Mondriaan, in Kunstschrift, 39, 1995 pp. 38-41
|
| |
| Evert van Uitert, Geruite sterrenhemels, De nachten van Mondriaan, in Kunstschrift, 38, 1994 pp. 42-45
|
| |
| Marty Bax assisted by Harmen Snel, Mondriaan and his Friends, in Robert Welsh, Boudewijn Bakker, Marty Bax, Piet Mondriaan, Amsterdam; Bussum, 1994, pp 22-42
|
| |
| Marty Bax and Robert Welsh, assisted by Tom Brockmeier and Margriet de Roever, Piet Mondriaan's Amsterdam Studios, in Robert Welsh, Boudewijn Bakker, Marty Bax, Piet Mondriaan, Amsterdam; Bussum, 1994, pp 43-54
|
| |
| Robert Welsh, Mondriaan in Amsterdam: the Artist at Work, in Robert Welsh, Boudewijn Bakker, Marty Bax, Piet Mondriaan, Amsterdam; Bussum, 1994, pp 55-68
|
| |
| W.H.K. van Dam, Een onbekende brief van Piet Mondriaan, in Oud Holland, 104, 1990 pp. 341-343
|
| |
| Sophie Bowness, Mondrian in London: Letters to Ben Nicholson and Barbara Hepworth, in Burlington Magazine, 132, 1990 pp. 782-788
|
| |
| H.C.L. Jaffé, Een preekstoel naar ontwerp van Piet Mondriaan, in A.W.A. Boschloo, C.W. Fock, J.R. ter Molen (eds.), Nederlandse Kunstnijverheid en interieurkunst, Haarlem, 1981, pp 533-543
|
| |
| Nancy J. Troy, Mondrian's Designs for the Salon de Madame B..., à Dresden, in Art Bulletin, 62, 1980 pp. 640-647
|
| |
| Robert P. Welsh, The Portrait Art of Mondrian, in J. Bruyn, J.A. Emmens, E. de Jongh and D.P. Snoep (eds.), Album amicorum J. G. van Gelder, The Hague, 1973, pp 356-360
|
| |
| H.L.C. Jaffé, Een gedateerde plafondschildering door Piet Mondriaan, in Oud Holland, 83, 1968 pp. 229-238
|
| |
| Theodore M. Brown, Mondrian and Rietveld, The divining rod and the compass, in , Nederlands Kunsthistorisch Jaarboek, Bussum, 1968, pp 205-214
|
| |
| Max Imdahl, Probleme der optical Art: Delauney - Mondrian - Vasarely, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1967, pp 291-308
|
| |