| Norma Broude, G.B. Tiepolo at Valmarana: Gender Ideology in a Patrician Villa of the Settecento, in Art Bulletin, 91, 2009 pp. 160-183
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| Christopher Drew Armstrong, Myth and the New Science: Vico, Tiepolo, and the Language of the Optimates, in Art Bulletin, 87, 2005 pp. 643-663
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| Slaven Perovic, Giambattista Tiepolo's Frontispiece Design for a Book by Ignjat Durdevic, in Master Drawings, 43, 2005 pp. 210-212
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| Bernard Aikema, Some Early Drawings by Giambattista Tiepolo, in Master Drawings, 42, 2004 pp. 361-369
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| Burton Fredericksen, Niccolò and the export of Tiepolo sketches to Russia, in Burlington Magazine, 144, 2002 pp. 621-625
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| Keith Christiansen, Tiepolo, Theater, and the Notion of Theatricality, in Art Bulletin, 81, 1999 pp. 665-692
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| Bernard Aikema, Early Drawings for Prints by Giambattista Tiepolo, in Master Drawings, 36, 1998 pp. 251-274
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| William M. Griswold, Lore Heinemann's Gift of Tiepolo Drawings to the Morgan Library, in Master Drawings, 35, 1997 pp. 229-233
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José Manuel de la Mano, Tiepolo's Commission for the Collegiate Church of the Holy Trinity at La Granja de San Ildefonso, in Burlington Magazine, 139, 1997 pp. 536-543
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| Richard P. Townsend, Two Rediscovered Tiepolo Drawings from Robert Lehman's Early Collection, in Master Drawings, 31, 1993 pp. 163-169
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| George Knox, Thomas Martin, Giambattista Tiepolo: A Series of Chalk Drawings after Alessandro Vittoria's Bust of Giulio Contarini, in Master Drawings, 25, 1987 pp. 158-163, 189-200
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| Alison Carroll, A Newly Discovered Drawing by Giambattista Tiepolo in Adelaide, in Master Drawings, 18, 1980 pp. 147-148, 201
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| George Knox, Giambattista Tiepolo's Processional Mace for the Scuola dei Carmini, in Master Drawings, 16, 1978 pp. 48-107
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| Wilfried Hansmann, Tiepolo-Zeichnungen aus einer Rheinischen Privatsammlung, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1974, pp 177-190
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| Henry Sayles Francis, Six Drawings From the Life of Pulcinella by the Younger Tiepolo, in The Print Collector's Quarterly, 26, 1939 pp. 361-363
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