xii | | Esmée Quodbach, Preface
|
|
2 | | Peter C. Sutton, Introduction, A Taste for Dutch Art
|
|
20 | | Louisa Wood Ruby, "Pictures chiefly painted in oils, on boards", Dutch Paintings in Colonial New York
|
|
32 | | Lance Humphries, Robert Gilmor, Jr.'s
|
|
44 | | Annette Stott, Collecting Old Dutch Masters, Originals, Interpretations, Copies, and Reproductions
|
|
58 | | Catherine B. Scallen, Wilhelm von Bode and Collecting in America
|
|
70 | | Walter Liedtke, Golden Age Paintings in the Gilded Age, New York Collectors and The Metropolitan Museum of Art, 1870-1920
|
|
82 | | Lloyd DeWitt, "They leave us as they find us, they never elevate", John G. Johnson and the Dutch Masters
|
|
94 | | Esmée Quodbach, Collecting Vermeer, 1887-1919
|
|
108 | | Ronni Baer, Collecting Dutch Paintings in Boston
|
|
122 | | Arthur K.Wheelock, Jr., The Dutch Painting Collection at the National Gallery of Art
|
|
140 | | Dennis P. Weller, The Passionate Eye of W.R. Valentiner, Shaping the Canon of Dutch Painting in America
|
|
134 | | Peter Hecht, Unexpected Rivals for the Dutch, Competing with the Americans for Holland's National Heritage in Great Britain and Elsewhere
|
|
168 | | Anne T. Woollett, Golden Opportunities, Collecting Rembrandt in Southern California
|
|
182 | | Quentin Buvelot, Has the Great Age of Collecting Dutch Old Master Paintings Come to an End?
|
|