Michelangelo (1475 - 1564)

Italian sculptor, painter, architect, poet, and engineer of the High Renaissance

Overview | Works (16)
     

Books on Michelangelo
Martin Sonnabend
Michelangelo, Zeichnungen und Zuschreibungen; drawings and attributions
Petersberg, 2009
Regina Stefaniak
Mysterium Magnum, Michelangelo's Tondo Doni
Leiden; Boston, 2008
Marcia B. Hall (ed.)
Michelangelo's "Last Judgment"
Cambridge, New York, NY, 2005
Paul Joannides
Michel-Ange, dessins du Louvre
Paris, 2003
Paul Joannides
Michel-Ange, élèves et copistes
Paris, 2003
John Addington Symonds
The life of Michelangelo Buonarroti, Based on studies in the archives of the Buonarroti family at Florence
Philadelphia, PA, 2002
Rona Goffen
Renaissance rivals, Michelangelo, Leonardo, Raphael, Titian
New Haven, 2002
Alexander Nagel
Michelangelo and the reform of art
Cambridge, New York, 2000
Edgar Wind
The religious symbolism of Michelangelo, The Sistine ceiling
Oxford, 2000
Michael Hirst, Jill Dunkerton
The young Michelangelo
London, 1994
Michael Hirst
Michelangelo and his drawings
New Haven, 1988
Books with an entry on Michelangelo
Articles on Michelangelo
Joost Keizer, Michelangelo, Drawing, and the Subject of Art, in Art Bulletin, 93, 2011 pp. 304-324
Martha Dunkelman, From Microcosm to Macrocosm: Michelangelo and Ancient Gems, in Zeitschrift für Kunstgeschichte, 73, 2010 pp. 363-376
Kim E. Butler, The immaculate body in the Sistine ceiling, in Art History, 32, 2009 pp. 250-289
Patricia Rubin, 'Che è di questo culazzino!': Michelangelo and the Motif of the Male Buttocks in italian Renaissance Art, in Oxford Art Journal, 32, 2009 pp. 427-446
Joost Keizer, Giuliano Salviati, Michelangelo and the 'David', in Burlington Magazine, 150, 2008 pp. 664-668
Giovanni Careri, Time of history and time out of history: the Sistine Chapel as 'theoretical object', in Art History, 30, 2007 pp. 326-348
Paul Joannides and Véronique Burnod, A Drawing by Michelangelo Reappears, in Master Drawings, 45, 2007 pp. 236-240
Linda A. Koch, Michelangelo's Bacchus and the Art of Self-Formation, in Art History, 29, 2006 pp. 345-386
Mary Bergstein, Freud's Moses of Michelangelo: Vasari, Photography, and Art Historical Practice, in Art Bulletin, 88, 2006 pp. 158-176
William E. Wallace, Michelangelo's Baby, in Master Drawings, 44, 2006 pp. 358-361
Michael Hirst, The marble for Michelangelo's Taddei tondo, in Burlington Magazine, 147, 2005 pp. 548-549
Monique Verber, Een Michelangelo in het Rijksmuseum?, in Bulletin van het Rijksmuseum, 52, 2004 pp. 115-129
Maria Ruvoldt, Michelangelo's Dream, in Art Bulletin, 85, 2003 pp. 86-113
Irving Lavin, Michelangelo's Florence Pietà, in Art Bulletin, 85, 2003 pp. 814
Michael Cole, Response, in Art Bulletin, 85, 2003 pp. 814
Paul Joannides, Two Drawings Related to Michelangelo's "Hercules and Antaeus", in Master Drawings, 41, 2003 pp. 105-118
Paul Joannides, Michelangelo's 'Cupid': a correction, in Burlington Magazine, 145, 2003 pp. 579-580
Claudia Echinger-Maurach, Michaelangelo's monument for Julius II in 1534, in Burlington Magazine, 145, 2003 pp. 336-344
Fredrika Jacobs, (Dis)assembling: Marsyas, Michelangelo, and the Accademia del Disegno, in Art Bulletin, 84, 2002 pp. 426-448
Stephen J. Campbell, "Fare una Cosa Morta Parer Viva": Michelangelo, Rosso, and the (Un)Divinity of Art, in Art Bulletin, 84, 2002 pp. 596-620
Philipp Fehl, Himmlisches Erstaunen, in Herausgegeben vom Bundesdenkmalamt Wien und vom Institut für Kunstgeschihte Wien, Wiener Jahrbuch für Kunstgeschichte, Wien; Köln; Weimar, 2002, pp 47-66
A. Lawrence Jenkens, Michelangelo, the Piccolomini and Cardinal Francesco's chapel in Siena Cathedral, in Burlington Magazine, 144, 2002 pp. 752-754
Paul Joannides, On Michelangelo's Stoning of St. Stephen, in Master Drawings, 39, 2001 pp. 3-11
David J. Drogin, "Lo Spirito di Donato": Young Michelangelo & the Sculpture of Donatello, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 149-156
Geraldine A. Johnson, Michaelangelo, Fortunetelling & the Formation of Artistic Canons in Fanti's Triompho di Fortuna, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 199-205
Alexander Nagel, Christ in Ecstasy: The Passion According to Michelangelo & Rosso, in Lars R. Jones, Louisa C. Matthew (editors-in-Chief), Coming about... a festschrift for John Shearman, Cambridge, Massachusetts, 2001, pp 243-250
Fredrika H. Jacobs, Aretino and Michelangelo, Dolce and Titian: Femmina, Masculo, Grazia, in Art Bulletin, 82, 2000 pp. 51-67
Michael Hirst, Michelangelo in Florence: 'David' in 1503 and 'Hercules' in 1506, in Burlington Magazine, 142, 2000 pp. 487-492
Michaël J. Amy, The Dating of Michelangelo's St Matthew, in Burlington Magazine, 142, 2000 pp. 493-496
Irene Baldriga, The First Version of Michelangelo's Christ for S. Maria Sopra Minerva, in Burlington Magazine, 142, 2000 pp. 740-745
Michael Rohlmann, Kontinuität und Künstlerwettstreit in den Bildern der Sixtinischen Kapelle, in Roland Krischel (ed.), Wallraf_richartz-Jahrbuch, Köln, 1999, pp 163-196
Moshe Arkin, "One of the Marys. . . ": An Interdisciplinary Analysis of Michelangelo's Florentine Pietà, in Art Bulletin, 79, 1997 pp. 493-517
Alexander Nagel, Gifts for Michelangelo and Vittoria Colonna, in Art Bulletin, 79, 1997 pp. 647-668
James David Draper, Ango after Michelangelo, in Burlington Magazine, 139, 1997 pp. 398-400  read online
Kathleen Weil-Garris Brandt, More on Michelangelo and the Manhattan Marble, in Burlington Magazine, 139, 1997 pp. 400-399  read online
Paul Joannides, Michelangelo: The Magnifici Tomb and the Brazen Serpent, in Master Drawings, 34, 1996 pp. 148-167
Kathleen Weil-Garris Brandt, A Marble in Manhattan: The Case for Michelangelo, in Burlington Magazine, 138, 1996 pp. 644-659  read online
Giovanni Agosti and Michael Hirst, Michelangelo, Piero d'Argenta and the 'Stigmatisation of St Francis', in Burlington Magazine, 138, 1996 pp. 683-684  read online
Peta Evelyn, 'Broken and Repaired': Michelangelo's Wax Slave in the Victoria and Albert Museum, in Burlington Magazine, 138, 1996 pp. 809-812  read online
Bernadine Barnes, Metaphorical Painting: Michelangelo, Dante, and the Last Judgment, in Art Bulletin, 77, 1995 pp. 65-81
Marcia Hall, Leo Steinberg, "Who's Who in Michelangelo's Creation of Adam" Continued, in Art Bulletin, 75, 1993 pp. 340-344
David Ekserdjian, Parmigianino and Michelangelo, in Master Drawings, 31, 1993 pp. 390-394
Leo Steinberg, Who's Who in Michelangelo's Creation of Adam: A Chronology of the Picture's Reluctant Self-Revelation, in Art Bulletin, 74, 1992 pp. 552-566
Andrew Morrogh, The Magnifici Tomb: A Key Project in Michelangelo's Architectural Career, in Art Bulletin, 74, 1992 pp. 567-598
Paul Joannides, A Newly Unveiled Drawing by Michelangelo and the Early Iconography of the Magnifici Tomb, in Master Drawings, 29, 1991 pp. 255-262
Sylvia Ferino-Pagden, Raphael's Heliodorus vault and Michelangelo's Sistine ceiling: an old controversy and a new drawing, in Burlington Magazine, 132, 1990 pp. 195-204
Howard Coutts, A copy of a lost drawing by Michelangelo, in Burlington Magazine, 132, 1990 pp. 215
Michael Viktor Schwarz, Der Kupferstich "Le Christ au coup de poing": Rubens antwortet Michelangelo, in Ernst Bacher, Gerhard Schmidt (eds.), Wiener Jahrbuch für Kunstgeschichte, Wien, Köln, 1990, pp 111-128
Cecil Gould, A New Portrait Attribution to Michelangelo, in Master Drawings, 27, 1989 pp. 303-309
Valerie Shrimplin-Evangelidis, Michelangelo and Nicodemism: The Florentine Pietà, in Art Bulletin, 71, 1989 pp. 58-66  read online
Leo Steinberg, Michelangelo's Florentine Pietà: The Missing Leg Twenty Years After, in Art Bulletin, 71, 1989 pp. 480-505  read online
Frederick Hartt, "L'ultima mano" on the Sistine Ceiling, in Art Bulletin, 71, 1989 pp. 508-509  read online
Bernadine Barnes, A Lost Modello for Michelangelo's "Last Judgment", in Master Drawings, 26, 1988 pp. 239-248
James Beck, The Final Layer: "L'ultima mano" on Michelangelo's Sistine Ceiling, in Art Bulletin, 70, 1988 pp. 502-503  read online
Carmen Bambach Cappel, Michelangelo's Cartoon for the "Crucifixion of St. Peter" Reconsidered, in Master Drawings, 25, 1987 pp. 131-142
William E. Wallace, Two Presentation Drawings for Michelangelo's Medici Chapel, in Master Drawings, 25, 1987 pp. 242-260
Michael Hirst, A Note on Michelangelo and the S. Lorenzo Façade, in Art Bulletin, 68, 1986 pp. 323-326  read online
Caterina Pirina, Michelangelo and the Music and Mathematics of His Time, in Art Bulletin, 67, 1985 pp. 368-382  read online
David Alan Robertson, Michelangelo's Saint Proculus 'Reconstructed', in Art Bulletin, 65, 1983 pp. 658-660  read online
Carmen C. Bambach, A Note on Michelangelo's Cartoon for the Sistine Ceiling: Haman, in Art Bulletin, 65, 1983 pp. 661-665  read online
Edith Balas, Michelangelo's Florentine Slaves and the S. Lorenzo Façade, in Art Bulletin, 65, 1983 pp. 665-671  read online
Eugenio Battisti and Mary Lou Krumrine, "Desiderare una ignuda". Giorgione e Michelangelo attraverso l'indagine cinesica, in Artibus et Historiae, 6, 1982 pp. 37-73  read online
Michael Hirst, A Project of Michelangelo's for the Tomb of Julius II, in Master Drawings, 14, 1976 pp. 375-382, 427-430
Articles with substantial mentioning of Michelangelo
Annette Wickham, Thomas Lawrence and the Royal Academy's cartoon of 'Leda and the swan' after Michelangelo, in Burlington Magazine, 152, 2010 pp. 297-302
Howard Saalman, The New Sacristy of San Lorenzo before Michelangelo, in Art Bulletin, 67, 1985 pp. 199-228  read online
Exhibitions:
Michelangelo Buonarroti
Born:   1475
   Caprese Michelangelo
Died:   1564
   Rome
ULAN:   500010654
VIAF:   24585191
Follow this person

Receive a notification when this person is updated.