Peter Paul Rubens (1577 - 1640)
Flemish painter and diplomat.Articles on Peter Paul Rubens
| Peter Black, A Rubens Tronie of an "Old Man with Curly Beard" in Glasgow, The Life and Afterlife of a Head Study Painting, in Dagmar Hirschfelder, León Krempel (eds.), Tronies, Berlin, 2014, pp 65-79 |
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| Donatella Sparti, Bellori's biography of Rubens: an assessment of its reliability and sources, in Simiolus, 36, 2012 pp. 85-102 |
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| Karolien De Clippel, Altering, Hiding and Resisting. The Rubensian Nude in the Face of Censorship, in Karolien De Clippel, Katharina Van Cauteren & Katlijne Van der Stighelen (eds.), The Nude and the Norm in the Early Modern Low Countries, Turnhout, Belgium, 2011, pp 201-220 |
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| David Jaffé, Rubens's lost 'pocketbook': some new thoughts, in Burlington Magazine, 152, 2010 pp. 94-98 |
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| Ulrich Heinen, Immolatio boum, Eine unpublizierte Zeichnung für ein Scheinrelief an Rubens' Haus, in , Wallraf-Richartz-Jahrbuch, Köln, 2010, pp 197-232 |
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| Ulrich Heinen, Stoisch Sterben lernen - Rubens' Memorialbild auf Justus Lipsius und Philip Rubens, in Katlijne Van der Stighelen, Hannelore Magnus & Bert Watteeuw (eds.), Pokerfaced, Turnhout, 2010, pp 25-68 |
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| Lynn F. Jacobs, Rubens and the northern Past: The Michielsen Triptych and the Thresholds of Modernity, in Art Bulletin, 91, 2009 pp. 302-324 |
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| Patrick Noon, Bonington, Delacroix, and Rubens, in Master Drawings, 47, 2009 pp. 493-497 |
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| Karolien De Clippel, Defining beauty: Rubens's female nudes, in Ann-Sophie Lehmann, Herman Roodenburg (eds.), Body and Embodiment in Netherlandish Art/Lichaam en lichamelijkheid in de nederlandse kunst, Zwolle, 2008, pp 111-136 |
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Mark Rosen, The Medici Grand Duchy and Ruben's First Trip to Spain: A New Document, in Oud Holland, 121, 2008 pp. 147-152
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| Karolien De Clippel, Het barokke vrouwenlichaam en de zinnelijke esthetiek, Op Rubens' lijf geschreven, in Zina Dubbe, Eva Geudeker, Frances Gouda, Catrien Santing, Kristine Steenbergh en Anna Tijsseling (eds.), Lijf en leden, Amsterdam, 2008, pp 61-84 |
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| Koenraad Brosens, Who commissioned Rubens's Constantine series? A new perspective: the entrepreneurial strategy of Marc Comans and François de la Planche, in Simiolus, 33, 2007/2008 pp. 166-182 |
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| Anne-Marie Logan, Ruben's drawings after Julius Held, in Oud Holland, 120, 2007 pp. 160-180
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| Karolien de Clippel, Rubens's 'Nymphs and satyrs' in the Prado: observations on its genesis and meaning, in Burlington Magazine, 149, 2007 pp. 76-81 |
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| Anne T. Woollett, The 'Calydonian boar hunt': a Rubens for the J. Paul Getty Museum, in Burlington Magazine, 149, 2007 pp. 82-84 |
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| Oliver Milliar, Ruben's Whitehall ceiling, in Burlington Magazine, 149, 2007 pp. 101-104 |
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| Artur Rosenauer, Ein Homerisches Motiv in Rubens' Decius-mus-Zyklus, in Martin Engel, Martin Pozsgai, Christiane Salge, Huberta Weigl (eds.), Barock in Mitteleuropa, Wien, Köln, Weimar, 2006/2007, pp 501-506 |
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| Koenraad Jonckheere, Two Drawings by Peter Paul Rubens after Adriaen Thomasz. Key, in Master Drawings, 44, 2006 pp. 213-220 |
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| Uwe Westgehling, Badalocchio nach Rubens: Laokoon, Eine frühe Druckgraphik nach Entwurf des Antwerpener Meisters, in , Wallraf-Richartz-Jahrbuch, Köln, 2006, pp 195-230 |
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| Mariët Westermann, Introduction, Rubens and the Capital of the North, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 7-15 |
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| Filip Vermeylen, Antwerp Beckons, The Reasons for Rubens' Return to the Netherlands in 1608, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 17-13 |
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| Frits Scholten, Rubens' werkplaats-academie, of de ghemeynschap die onse Consten van Schildry ende Belthouwery t'samen hebben, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 35-53 |
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| Andrew D. Hottle, Commerce and Connections, Peter Paul Rubens and the Dedicated Print, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 55-85 |
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| Cynthia Lawrence, Confronting Heresy in Post-Tridentine Antwerp, Coercion and Reconciliation as Opposing Strategies in Rubens' Real Presence in the Holy Sacrament, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 87-115 |
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| Barbara Haeger, Rubens' Rockox Triptych, Sight, Meditation, and the Justification of Images, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 117-153 |
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| Anna C. Knaap, Seeing in Sequence, Peter Paul Rubens' Ceiling Cycle at the Jesuit Church in Antwerp, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 155-195 |
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| Ulrich Heinen, Rubens' Pictorial Diplomacy at War (1637/1638), in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 197-225 |
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| Lucy Jane Davis, A Gift from Nature, Rubens' Bacchus and Artistic Creativity, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 227-243 |
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| Eveliina Juntunen, Rubens, Van Mander und Goltzius, Juno und Argus und der kunsttheoretische Diskurs in den nördlichen Niederlanden, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 245-269 |
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| Elizabeth Honig, Paradise Regained, Rubens, Jan Brueghel, and the Sociability of Visual Thought, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 271-301 |
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| Karolien De Clippel, Rubens Meets Brouwer, Confrontations with Low-Life Genre Painting, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 303-333 |
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| Irene Schaudies, Trimming Rubens' Shadow, New Light on the Mediation of Caravaggio in the Southern Netherlands, in Jan de Jong, Bart Ramakers, Frits Scholten, Mariët Westermann, Joanna Woodall (eds.), Rubens and the Netherlands/Rubens en de Nederlanden, Zwolle, 2006, pp 335-367 |
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| Kate Bomford, Peter Paul Rubens and the Value of Friendship, in Jan de Jong, Dulcia Meijers, Mariët Westermann, Joanna Woodall (eds.), Virtus / Virtue, Zwolle, 2004, pp 229-257 |
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| Aneta Georgievska-Shine, From Ovid's Cecrops to Rubens's City of God in "The Finding of Erichthonius", in Art Bulletin, 86, 2004 pp. 58-74 |
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| , Editorial, The apotheosis of Rubens, in Burlington Magazine, 146, 2004 pp. 147 |
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| Carolien de Staelen, Rubens's 'Samson and Delilah' in the National Gallery: new facts relating to its provenance, in Burlington Magazine, 146, 2004 pp. 467-469 |
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| Ulrich Heinen, Rubens' Garten und die Gesundheit des Künstlers, in Roland Krischel (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2004, pp 71-182 |
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| Hans Ost, Das Altarbild des Peter Paul Rubens in St. Jakob zu Antwerpen und eine Nachzeichnung von Jean-Honoré Fragonard, in Roland Krischel (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2004, pp 183-206 |
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| Sarah R. Cohen, Rubens's France: Gender and Personification in the Marie de Médicis Cycle, in Art Bulletin, 85, 2003 pp. 490-522 |
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| Justus Müller Hofstede, Rubens' Reiterporträt des Don Rodrigo Calderón, Favorit des Herzogs von Lerma, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2002, pp 259-282 |
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| Ulrich Heinen, "Versatissimus in historiis et re politica". Rubens' Anfänge als Diplomat, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2002, pp 283-318 |
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| Dorien Tamis, 'In kompagnie geordonneert en geschildert'. Een onderzoek naar de ontstaansgeschiedenis van het Aardse Paradijs van Peter Paul Rubens en Jan Brueghel d.O., in Oud Holland, 115, 2001/2002 pp. 111-130
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| Uwe Westfehling, Drei verschollene Zeichnungen von Peter Paul Rubens, in Roland Krischel (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2001, pp 171-222 |
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| Hans Vlieghe, Rubens Emulating the Bruegel Tradition, in Burlington Magazine, 142, 2000 pp. 681-686 |
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| Nico van Hout, A Second Self-Portrait in Rubens's 'Four Philosophers', in Burlington Magazine, 142, 2000 pp. 694-697 |
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| Hans Ost, Eine unbekannte Ölskizze von Peter Paul Rubens und die Bildkonfiguration im Chor der Abteikirche von Affligem, in Roland Krischel (ed.), Wallraf-Richartz-Jahrbuch, Köln, 2000, pp 177-200 |
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| Cynthia Lawrence, Before The Raising of the Cross: The Origins of Rubens's Earliest Antwerp Altarpieces, in Art Bulletin, 81, 1999 pp. 267-296 |
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| Anne-Marie Logan, Rubens' Design for Pontius' Engraving of the "Assumption of the Virgin", in Master Drawings, 37, 1999 pp. 231-237 |
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| Peter van Huisstede, The Iconography of The Ship of State by Peter Paul Rubens: A Variant on the Theme "Hercules am Scheidewege", in Colum Hourihane (ed.), Image and Belief, Princeton, N.J., 1999, pp 243-257 |
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| Thea Vignau-Wilberg, Rubens' Study in Munich for "The Duke of Lerma on Horseback", in Master Drawings, 36, 1998 pp. 275-287 |
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| Luuk Pijl, Paintings by Paul Bril in Collaboration with Rottenhammer, Elsheimer and Rubens, in Burlington Magazine, 140, 1998 pp. 660-667 |
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| Albert J. Loomie, The Destruction of Rubens's 'Crucifixion' in the Queen's Chapel, Somerset House, in Burlington Magazine, 140, 1998 pp. 680-682 |
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| Martin Eidelberg, An Album of Drawings from Rubens' Studio, in Master Drawings, 35, 1997 pp. 234-266 |
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| Michael Jaffé, Rubens's Portraits of the Archduke Albert and the Infanta Isabella, in Burlington Magazine, 139, 1997 pp. 194-195
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| Susan Koslow, Law and Order in Rubens's Wolf and Fox Hunt, in Art Bulletin, 78, 1996 pp. 681-706 |
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| Albert J. Loomie, A Lost Crucifixion by Rubens, in Burlington Magazine, 138, 1996 pp. 734-739
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| Alison Hilton, Rembrandt, Rubens, and Repin, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 105-109 |
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| Michael Jaffé, An Early Mercury Painted by Rubens before his Trip to Italy, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 118-119 |
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| Rüdiger Klessmann, A Lost Painting by Rubens and its Meaning, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 137-142 |
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| Susan Koslow, "How looked the Gorgon then...": The Science and Poetics of The Head of Medusa by Rubens and Snyders, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 147-149 |
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| Gregory Martin, Rubens and King James I, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 168-170 |
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| Annaliese Mayer-Meintchel, Paintings by Rubens in the Guarienti Inventory (1747-50) and the Early History of the Dresden Picture Gallery, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 171-174 |
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| Gridley McKim-Smith, Velázquez and Rubens: The Meaning of o Pigment, or a Date, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 175-178 |
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| Christopher White, Rubens's Painted Copy of the Cameo of Germanicus, in Cynthia P. Schneider, William W. Robinson, Alice I. Davies (eds.), Shop Talk, Cambridge, Massachusetts, 1995, pp 276-278 |
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| Rüdiger Klessmann, Bemerkungen zu Rubens' Gemälde "Diana und Callisto" in Madrid, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 85-94 |
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| Kristin Lohse Belkin, The Classification of Rubens's Drawings Collection, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 105-114 |
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| Hans Ost, Peter Paul Rubens' "Kreuzigung Petri" in der Peterskirche zu Köln, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 139-158 |
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| Hans-Joachim Raupp, Zeit in Rubens' Landschaftbildern, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 159-170 |
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| Konrad Renger, Rubens-Stücke. Die Anstückungen von Münchner "Silen" und "Schäferszene", in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 171-184 |
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| Joost vander Auwera, The artistic relationship between Abraham Janssen and Peter Paul Rubens. Some contextual evidence, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 227-238 |
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| Jeremy Wood, Rubens's Collection of Drawings: His Attributions and Inscriptions, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1994, pp 333-351 |
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| Joachim Rees, Die Unerwünschten Nereiden. Rubens' Medici-Zyklus und die Allegoriekritik im 18. Jahrhundert, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1993, pp 205-232 |
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| Jeremy Wood, Padre Resta's Flemish Drawings. Van Diepenbeeck, Van Thulden, Rubens, and the School of Fontainebleau, in Master Drawings, 28, 1990 pp. 3-53 |
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| Kristine Weber und Justus Müller Hofstede, "Non si fa niente contra la verita". Historischer Schauplatz und ikonographische Inszenierung im Vermählungsbild von Rubens' Medici-Zyklus, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1990, pp 131-163 |
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| Michael Viktor Schwarz, Der Kupferstich "Le Christ au coup de poing": Rubens antwortet Michelangelo, in Ernst Bacher, Gerhard Schmidt (eds.), Wiener Jahrbuch für Kunstgeschichte, Wien, Köln, 1990, pp 111-128 |
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| Justus Müller Hofstede, "Stolidi iudicium paridis": Zur Ikonologie des Parisurteils bei Peter Paul Rubens, in Frank Günter Zehnder (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1989, pp 163-187 |
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| Lucia G.A. Thijssen, 'Diversi ritratti dal naturale a cavallo': een ruiterportret uit het atelier van Rubens geïdentificeerd als Ambrogio Spinola, in Oud Holland, 101, 1987 pp. 50-64 |
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| Albert Schug, "Helenen in jedem Weibe" - Helene Fourment und ein besonderer Porträttypus im Spätwerk von Peter Paul Rubens, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1985/86, pp 119-164 |
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| Cynthia Lawrence, The Iconology of Rubens's "Miraculous Draft of Fishes" Triptych, in Simiolus, 14, 1984 pp. 24-35
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| Michael Jaffé, Rubens and Italy: Two More Drawings, in Master Drawings, 21, 1983 pp. 397-401 |
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| Frances Huemer, Rubens and Galileo 1604: nature, art, and poetry, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1983, pp 175-196 |
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| Hans Galen, Peter Paul Rubens: der trunkene Bacchus. Untersuchungen zur neuen Leihgabe für das Wallraf-Richartz-Museum, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1983, pp 361-366 |
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| Jeffrey M. Muller, Rubens's Theory and Practice of the Imitation of Art, in Art Bulletin, 64, 1982 pp. 229-247
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| Elise Goodman, Rubens's Conversatie à la Mode: Garden of Leisure, Fashion, and Gallantry, in Art Bulletin, 64, 1982 pp. 247-259
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| Jeffrey M. Muller, The "Perseus and Andromeda" on Rubens's House, in Simiolus, 12, 1981/82 pp. 131-146
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| F.L. Bastet, Oudheden uit Rubens' verzameling te Leiden, in A.W.A. Boschloo, C.W. Fock, J.R. ter Molen (eds.), Nederlandse Kunstnijverheid en interieurkunst, Haarlem, 1981, pp 72-85 |
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| Thomas L. Glen, The Stigmatization of St. Francis by Peter Paul Rubens, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1981, pp 133-142 |
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| H. Vlieghe, Rubens en Van Scorel, in Oud Holland, 94, 1980 pp. 32-36 |
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| Marjon van der Meulen, 'Twee opgetekende Portretjes door P.P. Rubbens seer raar', in Bulletin van het Rijksmuseum, 25, 1977 pp. 159-162 |
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| Hilde and Otto Kurz, The Turkish dresses in the costume-book of Rubens, in Drs. L.D. Couprie, Dr. H.W. van Os, Drs. E.R.M. Taverne en Drs. L. de Vries (eds.), Nederlands Kunsthistorisch Jaarboek 1972, Bussum, 1972, pp 275-290 |
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| Horst Vey, Zeugnisse der Rubens-Verehrung in Köln während des 19. Jahrhunderts, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1969, pp 95-134 |
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| Herbert von Einem, Rubens' "Abschied des Adonis" in Düsseldorf, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1967, pp 141-156 |
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| K.G. Boon, Een blad met schetsen voor een Diana en haar Nimfen door Rubens, in Bulletin van het Rijksmuseum, 14, 1966 pp. 150-157 |
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| Justus Müller Hofstede, Zu Rubens' zweitem Altarwerk für Sta. Maria in Vallicella, in J.A. Emmens, J. Fontein, S.J. Gudlaugsson, H. Miedema, E.K.J. Reznicek (eds.), Nederlands Kunsthistorisch Jaarboek 17, Bussum, 1966, pp 1-78 |
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| Ingrid Jost, Bemerkungen zur Heinrichsgalerie des P.P. Rubens, in J. Bruyn, J.A. Emmens, S.J. Gudlaugsson, S.H. Levie (eds.), Nederlands Kunsthistorisch Jaarboek 15, Bussum, 1964, pp 175-219 |
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| Christopher Norris, Rubens' Adoration of the Kings of 1609, in J. Bruyn, H.L.C. Jaffé, E.F. van der Grinten, S.H. Levie (eds.), Nederlands Kunsthistorisch Jaarboek 14, Bussum, 1963, pp 129-136 |
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| Charles Parkhurst, Aguilonius' optics and Rubens' color, in A.M. Hammacher, H. Gerson en E.F. van der Grinten (eds.), Nederlands Kunsthistorisch Jaarboek 12, Bussum, 1961, pp 35-49 |
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| J. Bruyn, Rubens' schets voor de kruisdraging, in Bulletin van het Rijksmuseum, 7, 1959 pp. 3-9 |
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| Günter Aust, Entwurf und Ausführung bei Rubens, in Wolfgang Braunfels (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1958, pp 163-212 |
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| Michael Jaffé, A Sheet of Drawings from Rubens' Second Roman Period and his Early Style as a Landscape Draughtsman, in Oud Holland, 72, 1957 pp. 1-19 |
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| Michael Jaffé, Rubens en de leeuwenkuil, in Bulletin van het Rijksmuseum, 3, 1955 pp. 59-67 |
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| N. Beets, Het offer van het Oude Verbond door Rubens, Een gewassen pentekening van de Meester. Ontwerp voor één der tapisserieën uit de serie: De triomf der Eucharistie, in Oud Holland, 69, 1954 pp. 31-42 |
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| J.Q. van Regteren Altena, Rubens en de Galerie d'Ulysse, in Bulletin van het Rijksmuseum, 1, 1953 pp. 8-13 |
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| Paul Frankl, Die Persephone-Bilder von Lambert Sustris, Rubens und Rembrandt, in Oud Holland, 55, 1938 pp. 156-171 |
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| Paul Frankl, Nachtrag zum Aufsatz: Die Persephone-Bilder von Lambert Sustris, Rubens und Rembrandt, in Oud Holland, 55, 1938 pp. 209-210 |
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| F. Schmidt-Degener, Petrus Paulus Rubens, 1577-1640, in , Catalogus der Rubens-tentoonstelling, Amsterdam, 1933, pp |
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| Wolfgang Stechow, Zu Rubens' erster Reise nach Holland, in Oud Holland, 44, 1927 pp. 138-139 |
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| A. Bredius, Een onbekend Rubens-document, in Oud Holland, 30, 1912 pp. 215-218 |
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| P. Haverkorn van Rijsewijk, Een schets van Rubens voor de zegepraal der eucharistie over de afgoderij, in Oud Holland, 23, 1905 pp. 105-107 |
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Articles with substantial mentioning of Peter Paul Rubens
| J. Douglas Stewart, Crossing the 'North-South Divide': The Young Lievens, Van Dyck, Rubens and Rembrandt; Connections and Influences, in Volker Manuth and Axel Rüger (eds.), Collected Opinions, London, 2004, pp 188-201 |
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| J.H.W. Unger, Brieven van eenige schilders aan Constantin Huygens, in Oud Holland, 9, 1891 pp. 187-206 |
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