Paul Cezanne (1839 - 1906)
French Post-Impressionist painterArticles on Paul Cezanne
| John-Paul Stonard, Cézanne and the past, in Burlington Magazine, 155, 2013 pp. 173-176 |
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| Adrianne O. Bratis, Chronology, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 19-41 |
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| Robert Storr, La Famille Cézanne, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 43-53 |
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| Richard Shiff, Lucky Cézanne (Cézanne Tychique), in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 55-100 |
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| Yve-Alain Bois, Cézanne and Matisse: From Apprenticeship to creative Misreading, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 103-120 |
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| Joop M. Joosten, Cézanne and Mondrian: "A New Way to Express the Beauty of Nature", in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 137-150 |
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| Joseph J. Rishel, Cézanne and Hartley: On Sacred Ground, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 159-171 |
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| Christopher Green, Cézanne and Léger: Realizing New Sensations, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 185-199 |
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| John Elderfield, Picasso's Extreme Cézanne, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 207-225 |
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| John Golding, Cézanne, Braque, and Pictorial Space, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 257-269 |
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| Mark D. Mitchell, A New Tradition: Cézanne, Demuth, and the Invention of Modern Watercolor, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 279-293 |
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| Anabelle Kienle, Cézanne and Beckmann: "A Powerful New Pictorial Architecture", in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 307-318 |
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| Albert Kostenevich, Liubov Popova: From Cézanne to Utopia, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 327-341 |
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| Jennie Hirsh, For the Love, and Fear, of Painting: Cézanne, Morandi, and Italian Modernism, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 351-371 |
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| Carolyn Lanchner, Cézanne and Giacometti: An Odd Couple, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 381-396 |
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| Michael R. Taylor, Learning from "Papa Cézanne": Arshile Gorky and the (Self-)Invention of the Modern Artist, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 407-424 |
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| Katherine Sachs, Cézanne and Kelly: Painting Form through Color, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 433-445 |
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| Roberta Bernstein, Cézanne and Johns: "At Every Point in Nature There Is Something to See", in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 463-472 |
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| Katherine Sachs, Cézanne and Marden: The Almost Perfect Painting, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 491-501 |
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| Jean-François Chevrier, Jeff Wall: Within the View(ing), or The Spirit of Place, in Joseph J. Rishel and Katherine Sachs (eds.), Cézanne and Beyond, Philadelphia; New Haven and London, 2009, pp 511-523 |
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| Richard Shiff , Distractions: Cézanne in a Sketchbook, in Master Drawings, 47, 2009 pp. 447-451 |
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| Xavier Prati and Georges Reynaud, A letter by Cézanne from l'Estaque, 1864, in Burlington Magazine, 150, 2008 pp. 327-328 |
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| , Editorial, Paul Cézanne (1839-1906), in Burlington Magazine, 148, 2006 pp. 583-585 |
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| André Dombrowski, The emperor's last clothes: Cézanne, fashion and 'l'année terrible', in Burlington Magazine, 148, 2006 pp. 586-594 |
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| Jan van Adrichem, The collecting and critical reception of Cézanne in Holland, 1895-1920, in Burlington Magazine, 148, 2006 pp. 595-604 |
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| Richard Shiff, Cézanne in the wild, in Burlington Magazine, 148, 2006 pp. 605-611 |
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| Karsten Schubert, Cézanne, Chappuis and the limits of connoisseurship, in Burlington Magazine, 148, 2006 pp. 612-620 |
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| Bridget Riley, Cézanne in Provence, in Burlington Magazine, 148, 2006 pp. 621-629 |
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| Richard Shone, 'Serious Trouble with Cézanne': an old controversy, in Burlington Magazine, 148, 2006 pp. 630-631 |
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| Sarah Lees, Stephen Clark and Paul Cézanne, in Michael Conforti, James A. Ganz, Neil Harris, Sarah Lees, and Gilbert T. Vincent, The Clark Brothers Collect, Williamstown, Mass.; New Haven and London, 2006, pp 245-251 |
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| Philip Conisbee, Cézanne's Provence, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 1-25 |
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| Bruno Ely, Cézanne's Youth and the Intellectual and Artistic Milieu in Aix, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 26-45 |
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| Benedict Leca, Sites of Forgetting: Cézanne and the Provençal Landscape Tradition, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 46-57 |
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| Paul Smith, Cézanne's Late Landscapes, or the Prospect of Death, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 58-74 |
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| Denis Coutagne, The Jas de Bouffan, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 76-92 |
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| Véronique Serrano, Cézanne's L'Estaque: "Something More Secret", in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 122-136 |
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| Bruno Ely, Gardanne, Montbriand, and Bellevue, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 148-162 |
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| Philip Conisbee, Le Tholonet, Bibémus, and the Château Noir, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 188-200 |
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| Philip Conisbee, The Atelier des Lauves, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 228-242 |
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| Philip Conisbee, The Late Paintings of Montagne Sainte-Victoire, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 278-290 |
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| Isabelle Cahn, A Provençal Chronology of Cézanne, in Philip Conisbee and Denis Coutagne, Cézanne in Provence, Washington; Aix-en-Provence; Paris; New Haven, 2006, pp 305-315 |
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| Nina Athanassoglou-Kallmyer, Cézanne and Delacroix's Posthumous Reputation, in Art Bulletin, 87, 2005 pp. 111-129 |
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| Benjamin Harvey, Cézanne and Zola: A Reassessment of 'L'Eternel féminin', in Burlington Magazine, 140, 1998 pp. 312-318 |
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, Cézanne and 'The Burlington Magazine', in Burlington Magazine, 138, 1996 pp. 67-68
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| Mariëtte Haveman, De Enige Echte Geweigerde, Paul Cézanne, in Kunstschrift, 39, 1995 pp. 45-47 |
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| H. Henkels, Cezanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam, De collectie van Cornelis Hoogendijk (1866-1911), in Bulletin van het Rijksmuseum, 41, 1993 pp. 155-294 |
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| Lawrence Gowing and John Rewald, 'Les maisons provençales': Cézanne and Puget, in Burlington Magazine, 132, 1990 pp. 637-639 |
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| Nina Athanassoglou-Kallmyer, An Artistic and Political Manifesto for Cézanne, in Art Bulletin, 72, 1990 pp. 482-492 |
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| Lawrence Gowing, The Early Work of Paul Cézanne, in Mary Anne Stevens (ed.), Cezanne, the early years, 1859-1872, New York, 1988, pp 4-19 |
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| Mary Louise Krumrine, Parisian Writers and the Early Work of Cézanne, in Mary Anne Stevens (ed.), Cezanne, the early years, 1859-1872, New York, 1988, pp 20-31 |
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| Mary Tompkins Lewis, Literature, Music and Cézanne's early subjects, in Mary Anne Stevens (ed.), Cezanne, the early years, 1859-1872, New York, 1988, pp 32-40 |
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| Götz Adriani, 'La lutte d'amour', Notes on Cézanne's early figure scenes, in Mary Anne Stevens (ed.), Cezanne, the early years, 1859-1872, New York, 1988, pp 41-53 |
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| Sylvie Patin, The Collectors of Cézanne's Early Works, in Mary Anne Stevens (ed.), Cezanne, the early years, 1859-1872, New York, 1988, pp 54-65 |
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| Alicia Faxon, Cézanne's Sources for Les Grandes Baigneuses, in Art Bulletin, 65, 1983 pp. 320-323
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| Norman Turner, Subjective Curvature in Late Cézanne, in Art Bulletin, 63, 1981 pp. 665-669
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| Joyce Brodsky, A Paradigm Case for Merleau-Ponty: The Ambiguity of Perception and the Paintings of Paul Cézanne, in Artibus et Historiae, 4, 1981 pp. 125-134
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| Max Imdahl, Cézanne-Braque-Picasso. Zum Verhältnis zwischen Bildautonomie und Gegenstandssehen, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1974, pp 325-365 |
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Articles with substantial mentioning of Paul Cezanne
| Anna Gruetzner Robins, 'Manet and the Post-Impressionists': a checklist of exhibits, in Burlington Magazine, 152, 2010 pp. 782-793 |
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| Katherine Marie Kuenzli, Aesthetics and cultural politics in the age of Dreyfus: Maurice Denis's Homage to Cézanne, in Art History, 30, 2007 pp. 683-711 |
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