Philippe Bordes Jacques-Louis David, Empire to exile New Haven; Williamstown, Mass., 2005 |
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Pierre Rosenberg From drawing to painting, Poussin, Watteau, Fragonard, David, & Ingres Princeton, N.J., 2000 |
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Ewa Lajer-Burcharth Necklines, The art of Jacques-Louis David after the Terror New Haven, Conn., 1999 |
Everett Fahy (ed.) The Wrightsman pictures New York; New Haven, 2005 |
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Femke Diercks, Jacques-Louis David's 'Thrones' Identified, in The Rijksmuseum Bulletin, 60, 2012 pp. 52-59 |
Perrin Stein, Crafting the Neoclassical: Two New Drawings for Jacques-Louis David's "The Lictors Bringing Brutus the Bodies of His Sons", in Master Drawings, 47, 2009 pp. 221-236 |
Thomas W. Gaehtgens, Davids Marat (1793) oder die Dialektik des Opfers, in Kritische Berichte, 2, 2008 pp. 67-80 |
Mariette Haveman, Crossing the Wall of History, Etienne Delécluze on the Art and Morality of Jacques-Louis David, in Marieke van den Doel, Natasja van Eck, Gerbrand Korevaar, Anna Tummers & Thijs Weststeijn, The Learned Eye, Amsterdam, 2005, pp 150-157 |
Andrew Stewart, David's 'Oath of the Horatii' and the Tyrannicides, in Burlington Magazine, 143, 2001 pp. 212-219 |
Satish Padiyar, Sade/David, in Art History, 23, 2000 pp. 365-395 |
Mary Vidal, David's Telemachus and Eucharis: Reflections on Love, Learning, and History, in Art Bulletin, 82, 2000 pp. 702-719 |
Philippe Bordes, David's Portrait of the comte de Turenne at Williamstown, in Burlington Magazine, 142, 2000 pp. 276-301 |
Mark Ledbury, Unpublished Letters to Jacques-Louis David from His Pupils in Italy, in Burlington Magazine, 142, 2000 pp. 296-300 |
Sue Jones, Kathryn Calley Galitz, Jacques-Louis David's Portrait of Comtesse Vilain XIIII and Her Daughter, in Burlington Magazine, 142, 2000 pp. 301-279 |
Helmut Engelhart, The Early History of Jacques-Louis David's "The Farewell of Telemachus and Eucharis", in The J. Paul Getty Museum Journal, 24, 1996 pp. 21-43 |
Dorothy Johnson, Corporality and Communication: The Gestural Revolution of Diderot, David, and The Oath of the Horatii, in Art Bulletin, 71, 1989 pp. 92-113 |
Francis H. Dowley and Yvonne Korshak, An Exchange on Jacques Louis David's Paris and Helen, in Art Bulletin, 70, 1988 pp. 504-520 |
Yvonne Korshak, Paris and Helen by Jacques Louis David: Choice and Judgment on the Eve of the French Revolution, in Art Bulletin, 69, 1987 pp. 102-116 |
Karen Domenici, James Gillray: An English Source for David's Les Sabines, in Art Bulletin, 65, 1983 pp. 493-495 |
Katrin Simons, Vom Triumph der Republik zur Apotheose Napoleons - Überlegungen zur Ikonographie der Revolution und des Konsulats am Beispiel einiger Gemälde von Jacques Louis David und Jacques Réattu, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1982, pp 207-230 |
Nina Athanassoglou, Under the Sign of Leonidas: The Political and Ideological Fortune of David's Leonidas at Thermopylae under the Restoration, in Art Bulletin, 63, 1981 pp. 633-649 |
George Levitine, Jacques-Louis David and François-Anne David at the Police Station: An Incident of Homonymic Confusion, in Art Bulletin, 63, 1981 pp. 655-657 |
Joachim Gaus, Ingenium und Ars - Das Ehepaarbildnis Lavoisier von David und die ikonographie der Museninspiration, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1974, pp 199-228 |
B. Polak, De invloed van enige monumenten der Oudheid op het classicisme van David, Ingres en Delacroix, in J.G. van Gelder, J.Q. van Regteren Altena, S.J. Gudlaugsson (eds.), Nederlands kunsthistorisch jaarboek 1948-1949, 's-Gravenhage, 1949, pp 287-315 |
2005 | Jacques-Louis David: Empire in Exile | |
Born: | 1748 | |
Died: | 1825 | |
ULAN: | 500115221 |