Jacques-Louis David (1748 - 1825)

French painter

Overview | Works (98)
     


Books on Jacques-Louis David

Books with substantial mentioning of Jacques-Louis David
 Everett Fahy (ed.)
The Wrightsman pictures
New York; New Haven, 2005
 

Articles on Jacques-Louis David
Femke Diercks, Jacques-Louis David's 'Thrones' Identified, in The Rijksmuseum Bulletin, 60, 2012 pp. 52-59  read online
 
Perrin Stein, Crafting the Neoclassical: Two New Drawings for Jacques-Louis David's "The Lictors Bringing Brutus the Bodies of His Sons", in Master Drawings, 47, 2009 pp. 221-236
 
Thomas W. Gaehtgens, Davids Marat (1793) oder die Dialektik des Opfers, in Kritische Berichte, 2, 2008 pp. 67-80
 
Mariette Haveman, Crossing the Wall of History, Etienne Delécluze on the Art and Morality of Jacques-Louis David, in Marieke van den Doel, Natasja van Eck, Gerbrand Korevaar, Anna Tummers & Thijs Weststeijn, The Learned Eye, Amsterdam, 2005, pp 150-157
 
Andrew Stewart, David's 'Oath of the Horatii' and the Tyrannicides, in Burlington Magazine, 143, 2001 pp. 212-219
 
Satish Padiyar, Sade/David, in Art History, 23, 2000 pp. 365-395
 
Mary Vidal, David's Telemachus and Eucharis: Reflections on Love, Learning, and History, in Art Bulletin, 82, 2000 pp. 702-719
 
Philippe Bordes, David's Portrait of the comte de Turenne at Williamstown, in Burlington Magazine, 142, 2000 pp. 276-301
 
Mark Ledbury, Unpublished Letters to Jacques-Louis David from His Pupils in Italy, in Burlington Magazine, 142, 2000 pp. 296-300
 
Sue Jones, Kathryn Calley Galitz, Jacques-Louis David's Portrait of Comtesse Vilain XIIII and Her Daughter, in Burlington Magazine, 142, 2000 pp. 301-279
 
Helmut Engelhart, The Early History of Jacques-Louis David's "The Farewell of Telemachus and Eucharis", in The J. Paul Getty Museum Journal, 24, 1996 pp. 21-43
 
Dorothy Johnson, Corporality and Communication: The Gestural Revolution of Diderot, David, and The Oath of the Horatii, in Art Bulletin, 71, 1989 pp. 92-113  read online
 
Francis H. Dowley and Yvonne Korshak, An Exchange on Jacques Louis David's Paris and Helen, in Art Bulletin, 70, 1988 pp. 504-520  read online
 
Yvonne Korshak, Paris and Helen by Jacques Louis David: Choice and Judgment on the Eve of the French Revolution, in Art Bulletin, 69, 1987 pp. 102-116
 
Karen Domenici, James Gillray: An English Source for David's Les Sabines, in Art Bulletin, 65, 1983 pp. 493-495  read online
 
Katrin Simons, Vom Triumph der Republik zur Apotheose Napoleons - Überlegungen zur Ikonographie der Revolution und des Konsulats am Beispiel einiger Gemälde von Jacques Louis David und Jacques Réattu, in Rainer Budde (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1982, pp 207-230
 
Nina Athanassoglou, Under the Sign of Leonidas: The Political and Ideological Fortune of David's Leonidas at Thermopylae under the Restoration, in Art Bulletin, 63, 1981 pp. 633-649  read online
 
George Levitine, Jacques-Louis David and François-Anne David at the Police Station: An Incident of Homonymic Confusion, in Art Bulletin, 63, 1981 pp. 655-657  read online
 
Joachim Gaus, Ingenium und Ars - Das Ehepaarbildnis Lavoisier von David und die ikonographie der Museninspiration, in Gert von der Osten (ed.), Wallraf-Richartz-Jahrbuch, Köln, 1974, pp 199-228
 
B. Polak, De invloed van enige monumenten der Oudheid op het classicisme van David, Ingres en Delacroix, in J.G. van Gelder, J.Q. van Regteren Altena, S.J. Gudlaugsson (eds.), Nederlands kunsthistorisch jaarboek 1948-1949, 's-Gravenhage, 1949, pp 287-315
 


Born:   1748
Died:   1825
ULAN:   500115221