| Susan Sloman, Gainsborough's 'Blue boy', in Burlington Magazine, 155, 2013 pp. 231-237
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| Carol Christiansen and Eleonora Luciano, The evolution of Gainsborough's portrait of Elizabeth Sheridan, in Burlington Magazine, 155, 2013 pp. 238-242
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| Hugh Belsey, A Second Supplement to John Hayes's "The Drawings of Thomas Gainsborough", in Master Drawings, 46, 2008 pp. 427-541
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| Susan Sloman, 'A Divine Countenance': Gainsborough's portrait of his nephew rediscovered, in Burlington Magazine, 146, 2004 pp. 319-322
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| Michael Rosenthal, Thomas Gainsborough's Ann Ford, in Art Bulletin, 80, 1998 pp. 649-665
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Susan Sloman, Sitting to Gainsborough at Bath in 1760, in Burlington Magazine, 139, 1997 pp. 325-328
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| N. van Heusden, 'Exhibition pictures'. Een beschouwing van geëxposeerde schilderijen van Reynolds en Gainsborough in het licht van de tentoonstellingsomstandigheden bij de Royal Academy, in Anton W.A. Boschloo, Elwin J. Hendrikse, Laetitia C. Smit, Gert Jan van der Sman (eds.), Academies of Art, 's-Gravenhage, 1989, pp 474-492
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| Jonathan P. Derow, Gainsborough's Varnished Watercolor Technique, in Master Drawings, 26, 1988 pp. 259-271, 301-308
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| John Hayes, Gainsborough Drawings: A Supplement to the Catalogue Raisonné, in Master Drawings, 21, 1983 pp. 367-391
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