| Paul Barlow, John Everett Millais (1829-1896), in Elizabeth Prettejohn (ed.), The Cambridge companion to the Pre-Raphaelites, Cambridge; New York, 2012, pp 133-147
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| Maroussia Oakley, John Everett Millais and the elusive 'Maggie Band', in Burlington Magazine, 146, 2004 pp. 30
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| Debra N. Mancoff, John Everett Millais: Caught Between the Myths, in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 3-19
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| Leonée Ormond, Millais and Contemporary Artists, in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 21-42
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| Kimberly Rhodes, Degenerate Detail: John Everett Millais and Ophelia's 'Muddy Death', in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 43-68
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| Andrew Sanders, Millais and Literature, in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 69-93
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| Jeremy Musson, Has A Paint Pot Done All This? The Studio-House of Sir John Everett Millais, Bt., in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 95-118
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| Julie F. Codell, Empiricism, Naturalism and Science in Millais's Paintings, in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 119-147
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| Anne Helmreich, Poetry in Nature: Millais's Pure Landscapes, in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 149-180
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| Laurel Bradley, 'Millais, Our Popular Painter', in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 181-205
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| Roger Bowdler, Ars Longa, Vita Brevis: Life, Death and John Everett Millais, in Debra N. Mancoff (ed.), John Everett Millais, New Haven & London, 2001, pp 207-233
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Alastair Grieve, Ruskin and Millais at Glenfinals, in Burlington Magazine, 138, 1996 pp. 228-234
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