Johannes Vermeer

Young Woman Standing at a Virginal

c. 1670-72
51.8 x 45.2 cm
Oil on canvas
Signed on the side of the virginal: IVMeer (IVM in monogram)
The National Gallery, London

Catalogues raisonnés
HdG 23

Walter Liedtke, Vermeer, New York, 2008, nr. 33
Roelofs/Weber 33

Collection catalogues
Neil MacLaren, revised and expanded by Christopher Brown, The Dutch school, 1600-1900, London, 1991, pp. 466-468, plate 393
Christopher Baker and Tom Henry, The National Gallery complete illustrated catalogue, London, 2001, p. 700

Literature
Wolfgang Stechow, Dutch landscape painting of the seventeenth century, London, 1966, fig. 5
Madlyn Millner Kahr, Dutch painting in the seventeenth century, New York, NY, 1993, fig. 219
Ann Dumas (ed.), Inspiring Impressionism, Denver-New Haven, 2007, fig. 26
Marjorie E. Wieseman, Vermeer's Women, New Haven [Conn.], 2011, fig. 67
Michael Marrinan, Gustave Caillebotte, Los Angeles, California, 2016, fig. 37
Adriaan E. Waiboer, with Arthur K. Wheelock, Jr and Blaise Ducos, Vermeer and the masters of genre painting, Dublin, Washington, Paris, New Haven and London, 2017, fig. 26
Suzanne Singletary, James McNeill Whistler and France, London; New York, 2017, fig. 4.7
Stephan Koja, Uta Neidhardt, Arthur K. Wheelock Jr. (eds.), Johannes Vermeer. On Reflection, Dresden, 2021, p. 129, fig. 4, p. 131, fig. 4a (detail), p. 169, fig. 9
Aneta Georgievska-Shine, Vermeer and the Art of Love, London, 2022, fig. 52

Young Woman Seated at a Virginal
c. 1670-72

Diana and Her Companions
c. 1653-54

A Maid Asleep
c. 1656/57

Girl with a Red Hat
c. 1665-67

The Procuress
1656